

Cylinders Estate, the site of Kurt Schwitters’ Merz Barn, is named after the charcoal burners of the former gunpowder factory opposite. For two (apparently extremely unusually) sunny weeks in March, it was an explosion of snowdrops and daffodils, while initial restoration works commenced on the Shippon. The landscape architect Harry Pierce rented what became the Merz Barn to Schwitters. He also turned the Shippon, which had formerly been a forge, into a milking shed. In more recent years it served as a gallery for Littoral Trust.
Supervised by conservation builder Tom Don, chipboard, plywood, rotten windows, and cement renders were stripped from the building. Hemp insulation was installed above a beautiful end-grain wooden floor, and the stonework exposed by the removal of the cement was repointed and replastered with a traditional hair and lime mix. While work progressed on the building, a team of volunteers supervised by Grizedale Arts focused on clearing stumps, brambles, and bracken from the pond area next to the Merz Barn.

© Ferdinand Saumarez Smith | Factum Foundation London
The highlight of the trip was a visit from Edward and Pauline Thorp, descendants of Harry Pierce, who afterwards wrote:
‘As soon as we opened the gates our spirits lifted. The initial clearance that you’ve done has taken the place back to something we could look at and recognise as the place we knew and loved. Meeting both the building and garden teams was equally encouraging since they clearly approach their tasks with knowledge, empathy and care.’

© Factum Foundation London
Nathaniel Mann and Jamie Castell spent several days at Cylinders conducting preliminary research for site-specific performances and sonic interventions. Their work, supported by an existing AHRC research grant, explores the echoes between the artistic legacies of William Wordsworth and Kurt Schwitters, examining how their art continues to reverberate around the landscape.
They constructed lithophones, sang and hooted into valleys, and played instruments in the resonant space of a cave to the bemusement of world-weary locals and live-streaming tourists alike. Their exploratory activities also included spending an evening chasing the calls of uncooperative tawnies with a local owl expert. In the process, they started to draw together plans for further funding applications that aim to use Cylinders as a base for other artistic interventions.
News of events and performances will follow.